This month's column is the final installment of a three-issue special focus devoted to roots, historically
popular forms of music that have
helped shaped today's modern musical styles.
Please see the June and July
issues of The Monthly Aspectarian for the first two parts of this series.
As always, if you have trouble finding these or any music recordings reviewed in The Monthly Aspectarian
at your local retailer, please call 847-966-1110 and ask for the record company's phone number for the title(s) you desire.

EASTERN EUROPEAN ROOTS
Bulgaria - BULGARIAN FOLK MUSIC

AUSTRALIAN ROOTS
Sounds from the Bush - TRADTIONAL ABORIGINAL MUSIC
The Rough Guide to…- AUSTRALIAN ABORIGINAL MUSIC

LATIN ROOTS
Armik - ISLA DEL SOL
Various Artists - THE ANDES: SONGS FROM THE HIGHLANDS
Various Artists - LATINO! LATINO!

AMERICAN ROOTS
Various Artists - BLUE GRASS MANDOLIN EXTRAVAGANZA
New York Jazz Collective - I DON'T KNOW THIS WORLD WITHOUT DON CHERRY

NATIVE AMERICAN ROOTS
Various Artists - TRIBAL GATHERINGS
Wahancanka - LAKOTA PIPE AND CEREMONIAL SONGS
Native Roots - A PLACE I CALL HOME
Alice Gomez - OBSIDIAN BUTTERFLY
Black Lodge - THE PEOPLE DANCE
Various Artists - URBAN SKINS Vol. 1&2

by
PJ Birosik

EASTERN EUROPEAN

Bulgaria - BULGARIAN FOLK MUSIC
(Latitudes)

In 1993, a group of Bulgaria's leading folk musicians decided to band together in order to present authentic, pure renditions of their traditional musical heritage. The results are stunning, with enticing vocals backed by native instruments like the gaida (bagpipe), gadulka (large-bodied violin), kaval (3-part wood flute), tambura (string instrument) and tupan, a drum belted to the body and played with two sticks. The music is arranged so that these five instruments sound like a full orchestra, with moods varying from plaintive ballads to lively dances. The rhythms are complex and well ornamented, supporting the magical blending of Georgi Zeliazov's and Radostina Keneva's vocals. But it is the heady, exotically mesmerizing "Graovski ritmi" that captivates completely, luring one in with a sinuous, almost Middle Eastern rhythm before the bagpipes and violin go rocketing off at breakneck speed to a breathtaking conclusion.

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AUSTRALIAN ROOTS

Sounds from the Bush
TRADITIONAL ABORIGINAL MUSIC
(ARC Music)

Gathered from all over the red continent, this impeccable documentary presents people of many dialects singing personal messages of love, sorrow, and the odd antics of white people. Most indigenous Australian music is vocal, with an average song lasting no more than two minutes. Over 30 instruments are used, including seed pods, reptile skin, didgeridoo and click sticks. The melodies are usually sung beginning with a loud, high note and moving to softer, repeated notes. The effect is hypnotic, with plenty of microtonal trills and multiple vocal parts. Many of the songs were "found in dream," and have a sacred connection to the spirits that inspired them such as fish, snake or kangaroo. Others are camp dance tunes or celebrations of daily life, like births. There seems to be a song for almost everything, and it is wonderful to hear.

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The Rough Guide to…
AUSTRALIAN ABORIGINAL MUSIC
(World Music Network)

Timeless chants and modern folk paint a portrait of a 50,000-year-old culture's progression from the gapu (watering place) to reunion with tradition after a hundred years of enforced integrated living. Leading performers Archie Roach and Ruby Hunter (whose deep voice sounds like Tracy Chapman) as well as songman Dusty Legune are featured.

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SaltwaterKurongk Boy, Kurongk GirlNative BornTjapukai SunsetWongga Initiation Song

 

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LATIN ROOTS

Armik - ISLA DEL SOL
(Baja/TSR)

Since Latin music has effectively covered the world, it's fitting to focus on this vibrant recording that melds fiery gypsy guitar and tropical Caribbean rhythms with beautiful, passionate melodies of South American influence. Armik is a top five flamenco guitarist; but unlike Old World-style players such as Carlos Montoya, his contemporary approach to the music includes arrangements for metal castanets and hand drums. He recorded each song in one take, such spontaneity adding much color and spark to the sultry melodic lines. Born in Iran of Armenian descent, Armik is a true prodigy, becoming a professional recording musician at age 12. He later traveled to Spain to play with flamenco musicians. This traditional background lends authenticity to his unique style of guitar playing.

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Various Artists
THE ANDES: SONGS FROM THE HIGHLANDS
(Latitudes)

Traditional music from Ecuador, Peru and Bolivia are presented alongside folk styles from Puno and Cusco, the ancient capitol of the Incas. Using ethnic instruments like armadillo shell mandolin, Andean harp, panpipes and quena flutes, the players present carnival songs, love ballads, potato planting ceremonials and much more.

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Various Artists - LATINO! LATINO!
(Putumayo)

This is a selection of exceptional salsa-based songs featuring sizzling rhythms, snappy vocals and energetic performances by critically acclaimed performers including Oscar D'Leon, Willie Colon, Poncho Sanchez and more. Pure ear candy!

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Chacha La VieYiri Yiri BonArrancaVolver A VerteLos Pasillos De Tia Conga

 

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AMERICAN ROOTS

Various Artists
BLUEGRASS MANDOLIN EXTRAVAGANZA
(Acoustic Disc)

More stars than there are in heaven perform solo as well as in duets, trios and octets on this must-have, two disc collection; the lavishly illustrated liner notes are more compendium than simple booklet, with chapters by award-winning performers and writers. Songs like the traditional "Old Joe Clark" present all that is fun in this artform, as eight players take turns soloing with joyful creativity and enough technical wizardry to make you catch your breath in sheer amazement. From Jesse McReynold's unique cross-picking style (based on Earl Scrugg's banjo roll) to the bluesy licks of Ronnie and Del McCoury, over 40 reels of music were honed to present five decades of the instrument's evolution. Co-produced by the legendary David Grisman - whose own "dawg music" is hailed worldwide for its mix of ethnic styles - the extravaganza runs the gamut from soulful blues and torchy ballads to run-amok dance numbers. One of the best recordings of any style ever made, period.

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Blue Moon of KentuckyOld Joe ClarkCakewalk, TheWayfaring Stranger

I'm Going Back To Old Kentucky RoanokeCattle In The Cane

Ashokan FarewellCumberland Gap

 

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New York Jazz Collective
I DON'T KNOW THIS WORLD WITHOUT DON CHERRY
(Naxos)

Invoking the spirit of one of modern jazz's most admired soloists, Mike Nock brings together a soulful ensemble comprised of seven musicians normally heard as leaders of their own popular groups. Jazz is one of the very few idioms thought to be purely American in creation. This is a great introduction to the form.

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I Don't Know This World Without Don CherryNock Down UnderDon't Leave Me

New Morning Of The DreamIndifference

 

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NATIVE AMERICAN ROOTS

Various Artists - TRIBAL GATHERINGS
(Music of the World)

This world-wind overview of social and ceremonial music draws from many nations including Zuni, Cheyenne and Comanche, with traditional group and solo singing. From the joyful exclamations of the "Navajo Gourd Dance," which celebrates an abundant harvest, to the sacred "Kiowa Hymn," performed by the acclaimed flutist Cornel Pewewardy, the collection is a wonderful overview of how music, dance and song fit into the daily life of America's indigenous peoples. One highlight is "Coming to the Center," a San Juan Pueblo spring dance that had been forgotten for over 50 years until just recently revived. Another find is Chester Mahooty's quietly "Beautiful Rainsong."

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Wahancanka
LAKOTA PIPE AND CEREMONIAL SONGS
(Canyon)

tPerformed by singer Joseph Shields, Jr., these rarely recorded songs honor the Great Spirit with deep reverence and sincerity. Centerpiece of all Lakota rituals, the pipe ceremony provides connection between man and God when participants gaher in a ritual circle, united in purpose.

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Pipe SongPipe SongCalling Of The Spirit SongCalling Of The Spirit Song

Calling Of The Spirit Song

 

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Native Roots - A PLACE I CALL HOME
(SOAR)

The indigenous roots music of Jamaica has held worldwide appeal for tribal peoples of many cultures ever since the first reggae records were exported. It has particularly flourished among young Native Americans who can relate to its themes of solidarity, smoke, and simple pleasures.

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Alice Gomez - OBSIDIAN BUTTERFLY
(SilverWave)

This noted flutist honors the Aztec female deity associated with the fertile earth, accompanied by clay and wooden flutes, log drums, rattles, pow-wow drums and percussion. Recorded in trio with Madalyn Blanchett and Marilyn Rite, this music evokes timeless indigenous Mexican melodies.

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Celestial DancerPyramid TemplesVoices Of The WindAncient Ones, The

Ghost Dance

 

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Black Lodge - THE PEOPLE DANCE
(Canyon)

Recorded live at the Wellpinit pow-wow in Washington, the Scabby Robe family demonstrate once again why they are one of the most popular singing groups in North America. Tight playing and even tighter vocals weave through complex rhythms and intricate lyrics to set them apart.

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IwasilElder's GrooveFancy DanceMemoriesWoman's Song

 

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Various Artists - URBAN SKINS Vol. 1 & 2
(SOAR)

Young America is making its own roots music as compiled on these two discs of alter-Native pop, rock, reggae and rap from city streets, villages and reservations. With noted artists like Robert Mirabal, Robby Bee and Natay leading the way, a new tradition in music is being founded for future generations.

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IntroThe DanceHeartbeatTill The End Of The DayUnity

 

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